Al Koran The Unique Years Boek (B0234)

Dit nieuwe boek, samengesteld door Martin Breese, bevat alle artikelen van Al Koran welke gepubliceerd werden in the magic Wand, the Gen, the Wizard en Pentagram. Het bevat tevens nagenoeg alle effecten welke Al ooit commercieel zijn uitgebracht door de Unique Magic Studio in London. Tevens als bonus nog enkele effecten welke Al zelf heeft uitgebracht toen hij in de USA woonde.

Het boek bevat een mooie introductie en een artikel over Al Koran door de mentalist Peter Zenner. Al Koran, The Unique Years is geïllustreerd door Phil Shaw en heeft een prachtige kaft ontworpen door Paul
Griffin.

Hardgebonden met kaft in kleur, 200 pagina´s. Voorzien van tekeningen en zwart-wit foto´s, afmetingen ca 22,5 x 16 cm.

Enkele reviews:

Richard Kaufman: “The name of Al Koran is still legendary many years after his death and this book will tell you why.”

Steve Shufton:
“Al Koran’s influence continues to thrive in the magic and mentalist
communities. What an extreme pleasure I had in reading this, the latest
Al Koran work released by Martin Breese. These are lessons from the
master, well worth devouring. The book is formatted beautifully – as one
would expect from Martin Breese, and has taken its rightful spot – next
to the other Koran books from Breese – but not until I read it again.”

Larry Becker:
“This is an absolute must for Al Koran fans and gathers together his
magazine contributions and commercially-released effects – all in one
book.”

Ben Harris: “Exceptional material in an exceptional book.”

Peter Zenner: “I was very pleased to be able to contribute to and be involved in such a worthwhile book.”


Nick
Lewin: “A great new book! For many years, the two classic Koran books
were the chief source of information for those of us who were trying to
learn the secrets of the master. Wonderful information, advice and
routines were contained in those two slim volumes. They are still
valuable and beloved residents in my bookshelf.

Recently my
friend Martin Breese has done a wonderful job in updating the available
reading matter on this iconic performer and magical innovator. Breese
must be really thanked by the magic community for his recent additions
to our knowledge and understanding of Al Koran. He has added another
classic book to the available treasure trove.

I have found it to
be a particularly fascinating volume. It gathers some rather obscure and
extremely interesting material and turned it into a must-read book for
fans of Koran. In fact, even if you have never had any interest in Al
Koran because of his identification with mindreading, buy the book
anyway-you may be in for a surprise. Don’t forget Koran was the man who
created the basis and framework for Ring Flight! Before he became an
almost instant star as a mentalist, Koran was a very sophisticated and
accomplished sleight of hand/close-up performer.

This book
collects routines and effects that have previously only seen the light
of day in magazines. What they really demonstrate is what a powerful
tunnel vision Koran had for the structure and subtleties that can create
a miracle. His ability to simplify an effect and maximize its impact
reminds me of a diamond cutter taking something precious and
transforming it into something as close to perfection as possible. One
entire section of the book contains many of the commercial effects that
Koran released under the auspices of Harry Stanley’s Unique Magic Studio
in London. A great deal of scholarly work wen

t into patching
these various instructions and manuscripts into a form suitable for
release as a stand-alone book. The final section of the book details two
routines that Koran released, after his relocation to America in 1969.

I
really enjoyed the highly personal and fact filled introduction to the
book by Peter Zenner, which does much to fill in the personal legacy of
this remarkable man. It goes a long way in revealing the real ’taste’ of
the man born Edward Charles Doe, who carved out a unique spot for
himself under a new name. Did you know Koran performed a magical/musical
act entitled ‘Song & Sorcery?’ I didn’t; and I found this a
fascinating piece of information, especially given the reason why.

Since
receiving the manuscript I have taken the time to learn and perform
several of the routines from this book and can report that they are pure
gold. This collection has released great new/old material and is a true
cause for joy for the performing magician.” (Nick Lewin)